Wednesday, May 9th | Doors at 7pm
w/ Sex Headaches and Cat Teeth
In the dimly lit interior of a small nightclub, where the stale smell of a thousand extinguished cigarettes drowns out the smell of spilt beer and broken dreams, a band plays against a backdrop of cheap golden tinsel. Outside, palm trees line the night’s horizon. In the years to come, the streets will swell into highways and interstates, but for now Los Angeles is still a young city growing daily with transplants from across the United States, all looking for a new life. It’s still a city largely cut off from the rest of the country, and in the years before the Manson family forever tarnishes the infinite hope of the Western enclave and before the Hell’s Angels of Altamont interrupt rock n’ roll’s peaceful trajectory with unprecedented violence, there is still a dreamy California sound for those dark rooms suffused with neon light. The three women of L.A. Witch wouldn’t be born for several decades, but their sound transports you back to those warm Californian nights in smoky rooms.
Monday May 7th | Doors at 7pm
w/ Locate S,1 & Once and Future Band
of Montreal is an American indie rock band from Athens, Georgia. It was founded by frontman Kevin Barnes in 1996, named after a failed romance between Barnes and a woman “of Montreal.” The band is identified as part of the Elephant 6 collective. Throughout its existence, of Montreal’s musical style has evolved considerably and drawn inspiration from 1960s psychedelic pop acts.
Wednesday May 2nd | EARLY SHOW!!! Doors at 6pm
w/ You Doo Right || YOU
Formed in 1995 by Makoto Kawabata at the same time as the Acid Mothers Temple Soul Collective. The group released its debut album in 1997 on PSF Records (Japan), and it was selected as one of the year’s best albums in the The Wire magazine (UK). In 1998 the group played their first tours of the US and Europe. Since then the group has released a huge number of albums on labels from many different countries. As of 2017, the group has released around 80 albums. Every year since 1998, they have toured extensively in the US and Europe, and more recently have started performing around Asia and in Japan too.
The group has performed in collaboration with many musicians including psychedelic originators Gong and Guru Guru, Simeon (Silver Apples), Nik Turner (Hawkwind), and the Occitanian trad sinder Rosina de Peira. Japanese collaborators have included Afrirampo, Tatsuya Yoshida (Ruins), Maso Yamazaki (Masonna), Seiichi Yamamoto (Boredoms), Jun Kuriyama (The Ox), and many others.
To begin with the group had a floating line-up with contributions from many members of the AMT Soul Collective. But as tours became more frequent, the group began to coalesce around a core touring line-up. Other bands were created with Acid Mothers Temple as part of their name (AMT & The Cosmic Inferno, AMT SWR, AMT & The Space Paranoid, Acid Mothers Gong, Acid Mothers Guru Guru, etc.), but AMT & The Melting Paraiso U.F.O. has continued to function as the mothership and main lineage for all our activities.
In 2016, 21 years since the group’s founding, there was a major shift in the line-up and “Next Generation” was added to the name. We now view the first 20 years as chapter one in our story, and we are now turning the page to start chapter two. The current touring line-up is: Makoto Kawabata (the sole original member), Hiroshi Higashi, Mitsuko☆Tabata, Nani Satoshima, and Wolf.
Saturday April 28th | Doors at 8pm
w/ DJ Shakedown | DJ Ohm vs. DJ Stigmata
Sister is very excited to host one of our favorite DJ’s ever! “DJ QBert delivers like no other DJ. His peers and the media call him the Greatest DJ in the World, one of the most influential DJs of all time.”
This show will feature a skratch battle between hometown greats, DJ OHM, and DJ Stigmata! DJ Shakedown will also be spinning throughout the evening making sure the vibe is just right. This much talent on one stage will no doubt make for an epic evening of Hip Hop and Turntablism. Advance tickets are highly recommended.
Tart at Heart is an annual sour beer tasting event featuring over 30 sour beers, sourced locally and imported from around the world. This is one of our favorite events and we highly recommend you check it out!
$50 VIP tickets include:
-limited to 100 people
-custom beer glass
-Tart at Heart 4 year anniversary t-shirt (unisex)
-early private tasting starting at 1pm
$35 GA tickets include:
-beer tasting from 2pm-5pm
-custom beer glass
Triathalon are a suave five-member band making some very sexy, slow R&B jams for fans of Mild High Club, Jerry Paper, Bane’s World & Surfer Blood. Adam Intrator (guitar, vocals), Hunter Jayne (guitar, keys), Chad Chilton (drums), and Lucas Carpenter (bass) have been together since 2013 making beautifully slowed-down R&B tracks mixed with a hint of surf rock, creating a sound that gives all the feels.
Inner Wave just recently released their 3 years in the making album ‘Underwater Pipe Dreams’ and have been selling out shows at LA venues: The Constellation Room at the Observatory, and The Smell. Inner Wave is set to play alongside King Krule, Kali Uchis, CUCO and more in 2018
Opening with a dark, conga-infused drum break, lead-off track ‘Velvet For Sale’ establishes a moody, distinctly mysterious feel. If Half Free (Remy’s 2015 4AD offering) trafficked in dusty, sample-based textures, Poem represents an inversion of that instrumental formula; the non-sampled rhythms are themselves eminently sample-able. The newfound grooviness speaks to a central element of the new album’s collaborative spirit. All tracks save for two were performed by The Cosmic Range, an accomplished instrumental collective from Toronto, Remy’s adoptive hometown. Assembled by Matthew Dunn in 2014, The Cosmic Range is composed of some of Canada’s most accomplished improvisers, and includes longtime U.S. Girls producer / foil Maximilian ‘Twig’ Turnbull. The Range–whose eclectic combination of improvised psych, jazz, and propulsive dance music was first recorded on their 2016 New Latitudes debut (Idée Fixe)–is put to work here on a song cycle that is typically diverse for a U.S. Girls album. Remy is not content merely to establish a new sonic palette on successive albums. Instead she approaches each song as its own encapsulation, with the effect that her oeuvre is essentially genre-agnostic. On Poem, the buffet of sounds comprises a dizzying variety: disco, employed as a protest vernacular (‘Mad As Hell’), as well as an unrelenting assault (‘Time’); Remy’s beat-driven impulse, extended via The Cosmic Range’s vamping on hip hop producer Onakabazien’s produced loops (‘Incidental Boogie’ & ‘Pearly Gates’); moody, slow-burning funk, on the Twig co-writes (‘Velvet For Sale’ & ‘L-Over’); and forming the emotional core of the album, two earnest synth anthems, written in collaboration with D.C. based instrumentalist, Rich Morel (‘Rosebud’ & ‘Poem’).
As hectic as the stylistic detours may sound on paper, Remy and mixer / co-producer Steve Chahley will a consistent aesthetic into being, however multi-dimensional. With a voice as assured and engaged as Remy’s, track to track, one sees that genre-partisanship, in the contemporary music landscape, represents an irrelevantly conservative approach. The artist is intent on liberation both sonically and lyrically.
Poem features dark meditations reflecting charged atmospheres that directly precede and follow acts of violence. Many of the songs are character studies of women grappling with power; how to gain and exert it spiritually, as well as desperate strategies to mitigate its infliction. In ‘Pearly Gates’ a woman ingeniously decides to seduce St. Peter to assure heavenly entrance, to mixed effect, while in ‘Incidental Boogie’, a battered woman muses ironically that her partner’s abuse leaves so little physical evidence she can continue to show up at her job. Almost all of Remy’s lyrics seem to interrogate notions of morality, and the universal consequence of its deferment. As has so long been suggested in the artist’s work, action and inaction both have broad civic consequences. There is no escaping that the personal is entrenched in a political dimension and an acknowledgement of that may be the only liberator.
In an era of heightened turmoil, artists contend with a crossroads decision on cultural content, and how we engage with it as individuals. There is no shortage of media that lends distraction and offers a balm of comforting fantasy. For those, on the other hand, craving a thoughtful and probing inquiry into the iniquity of power, In A Poem Unlimited poses a substantial question; can you dance while you think?
Dead Meadow combine 70s hard rock and 60s psychedelic rock with far out and sometimes mystically minded lyrical themes occasionally even hinting at the obscure genius H. P. Lovecraft and other far out writers of the bizarre and weird.
Black Unicorn is a new Albuquerque band featuring members of Supergiant.
Conan are as heavy as interplanetary thunder amplified through the roaring black hole anus of Azathoth. Remember that sentence, for it is writ large in virgin blood on the walls of the forgotten temple of Bol-Krastor, deep in the steaming forests of forgotten Lemuria. Conan, a monumentally brutal three piece (in the grand tradition of all the hallowed three pieces through time) hold a sinew-tight line and an iron-grip command over the uber-synchronised powerchord changes and tempo-shifts of the anti-holy trio of bass, drums and guitar. Two weary yet defiant men have the task of vocalising wretched thoughts over the turgid weight of Conan’s metalized bombast. They bear it well, for the task is immense. Hear the roar of battle. Smell the stench of split blood. A thousand heads piled high like a grim mound of suffering – a blasphemy to nature. Hail Conan!
joined by The Ditch And The Delta (SLC)
“..doom that incorporates many different influences such as noise music and progressive metal. One may hear early Melvins or Eyehategod one minute and the next hear Intronaut or even Pure era Godflesh sounds coming from their headphones.” -Hellbound