Los Dug Dugs
May 5 @ 8:00 pm - 11:00 pm$10.00
Mexican garage rock legends Los Dug Dug’s are led by singer/multi-instrumentalist Armando Nava—born in Durango, Durango in 1946. At 15, he acquired his first guitar, and at 17 he joined his first band, Xippos Rock—when their original frontman quit, Nava assumed lead vocal duties, and after graduating high school the group toured the Tijuana region, with Nava’s salesman father driving their van and conducting business along the way. While on the road, Nava made the executive decision to change their name from Xippos Rock to Los Dug Dug’s—the name being the abbreviation of their home city and state—while playing in Texas he scored copies of early Beatles records, and the band became not only the first in Mexico to cover the Fab Four, but also the first to sing all of their material (covers and originals) in English.
After an extended stint as the house band at the Tijuana strip joint Fantasitas, Los Dug Dug’s relocated to Mexico City in 1966—a series of personnel changes were afoot, however, and soon only Nava and only vocalist Jorge de la Torre remained from the lineup that first set out from Durango.
After earning a rabid fan following in Mexico City, the group signed to RCA to record their debut single, the children’s television theme “Chicotito Si, Chicotito No”—they also headlined a pair of 1967 films, El Mundo Loco de los Jovenes and Cinco de Chocolate y Una de Fresa. In all, Los Dug Dug’s cut ten singles for RCA while in Mexico City, including covers of U.S. pop hits like “California Dreamin'” and “Hanky Panky.” After returning to Tijuana in 1968, Los Dug Dug’s— now consisting of Nava, de la Torre, guitarist Gustavo Garayzar, bassist Genero Garcia, and drummer Jorge Torres Aguayo—took up residence at the popular Sans Sous Ci club. After American tourist Frank Mangano caught their act, he was so impressed that he offered to bankroll a trip to New York City—there the group played a handful of live dates and recorded a few demos, but Mangano refused to fund the $5000.00 musicians’ union fees necessary to earn Los Dug Dug’s the opportunity to play Manhattan’s larger venues.
With little choice except to return to Mexico, the group began work on its first LP for RCA Mexico, but long-simmering creative differences between Nava and de la Torre forced the latter’s resignation after the album was completed, and by the time the resulting psychedelic opus Lost in My World appeared in 1971, Los Dug Dug’s were essentially no more.
The singles “World of Love” and “Eclipse” were nevertheless huge Latin American hits, and in 1972, Nava revived the group as a power trio—now, with the majority of Mexican groups singing in English, he reversed the trend, performing in Spanish on 1972’s Smog. For 1974’s Cambia Cambia, Los Dug Dug’s sported a clean-cut look in keeping with their music’s evolution to more concise, melodic pop approach—RCA did little to support the album, however, and 1975’s El Loco proved their swan song. Despite endless lineup changes, Nava has nevertheless kept Los Dug Dug’s an ongoing concern in the decades since. The current formation of Dug Dug’s is based out of San Diego, CA and is still actively touring today.
with support from Levitation Room
In Los Angeles, where the weight and pressure of the city’s fast paced culture can make your legs feel like pillars, emerges psychedelic quartet, Levitation Room, to break the bonds of gravity with their cosmic wall of sound and thought provoking lyrics. “Just as their name suggests, Levitation Room’s music instills the listeners ears with a light feeling of floating. The dreamy guitar and Lo-Fi projections of psychedelic rock and garage are reminiscent of a deep 1960’s era, but still grounded in an alternative dreamgaze flavor that permeates modern indie music today.” – OC Weekly. Their decidedly hallucinogenic songs whisper and hum the same gentle refrain of their summer of love influences, conjuring up the cognitive imagery of sunny days at the park, spent with friends in a euphoric haze along with lyrical and sonic meditations on life, love, society and self-awareness.
In tradition, and much like the bands and musical troubadours that inspired them, Levitation Room started out with late night jam sessions in a dimly lit garage between fellow musicians and long time friends, Julian Porte and Gabriel Fernandez. Julian, a dedicated street musician who felt he needed a broader platform, found chemistry with Gabriel, who he knew as a guitar player in various teenage punk and garage bands around town. Coming together in 2012, they bonded over a shared love of British Invasion groups (The Beatles, The Kinks, The Rolling Stones) and 1960’s psychedelic outfits like The Grateful Dead, Electric Prunes, The Pretty Things and began drafting their earliest tunes. It wasn’t until the late summer of 2012, that the band came to fruition when they found a rhythm section in two individuals with almost identical names; drummer, Johnathan Martin, and bassist, Jonathathan Martin. The four began writing songs, playing gigs and recording music out of a quaint studio in East LA.
After the release of their self recorded demo “Levitation Room Vol. 1”, they quickly began gaining momentum and performing at local music venues throughout Southern California. 2015 saw the release of their first official debut EP “Minds Of Our Own” released on Burger Records. Later in the spring of 2016, they released their first full length album, “Ethos”, with the help of their friend and new keyboardist, Glenn Brigman, who recorded and helped produce the record. Since 2014, Levitation Room has participated in various shows, tours and music festivals across the US and Europe and continues to see the growth in listeners and followers on YouTube, Soundcloud and Spotify (with nearly 2 million plays on their song “Friends”). With the promise of a potentially bright future, Levitation Room has begun to mix and finalize their second album that they hope will display their process of maturity in sound and song- writing, exploring new territories of influence in music and instrumentation, combining folk, jazz, raga, soul, pop and of course… psychedelia. Stay tuned!