Tuesday Sept. 19th | Doors at 8pm | FREE!!!
w/ Jack Ladder and Euth Group
Entertainer. Showman. Shaman. Cameron and his business partner / saxophonist, Roy Molloy, hit the road with a live show full of celebration, jubilance and industry know how. Described by Clash Magazine as ‘Sydney’s most literate song writer’, Cameron knows what he is doing, and the creative juggernauts of the international music industry are taking notice. So much so that Jonathan Rado of Foxygen described the first Cameron performance he saw as ‘one of the most memorable, moving concerts I have or will ever witness’, and music icon Henry Rollins described Cameron as being ‘right out of a David Lynch hell dream!’ This will be a free show. Come one, come all; and experience the jubilance. Support from Jack Ladder & The Dreamlanders http://www.jackladderandthedreamlanders.com/ and locals Euth Group Presented in conjunction with Townie Productions.FREE SHOW
Wednesday September 13th | Doors at 8pm
with special guest Sam Miller
Iska Dhaaf (taken from Somali, translated roughly to “let it go”)
In 2011 Nathan Quiroga (Mad Rad, Buffalo Madonna) and Benjamin Verdoes (Mt. St. Helens Vietnam Band) left their respective Seattle-based projects behind and began collaboration on Iska Dhaaf. The band was quickly embraced for their engaging live shows, and for creating the sound of a full band by way of two people. Together as songwriters they have steadily explored production, instrumentation, and an ever-expanding narrative voice.
After the release of their debut, Even the Sun Will Burn, they toured across North America, Western Europe, relocated to New York, and most recently wrote and performed in Paris and Berlin. Their upcoming album, The Wanting Creature, sees the duo emerging as producers, experimenters and genre-bending artists. The new songs show an ongoing devotion to lyrical depth and composition, and the album more fully utilizes their diverse musical backgrounds. Nearly five years in, they will surprise with their innovations-taking risks one would hope to see in a sophomore album.
“You’re the wanting creature you’re the soul that’s never satisfied”Get Tickets
Wednesday September 6th | Doors at 8pm
El Ten Eleven started as a duo in 2002 in Silverlake and have released six solely instrumental LPs to date using unique gear such as guitar/bass doublenecks, fretless bass, looping pedals and both electronic and acoustic drums. “It’s almost like our looping pedals themselves are instruments we’ve had to master,” bass player/composer Kristian Dunn explains. “I’ll loop Tim’s electronic drums with one of my pedals while looping my own bassline, then switch to my six string bass mid-song while he moves to playing acoustic drums, layering up the sonics and shaping the song as it all grows.” By refusing to use anything pre-recorded live they’ve pushed themselves into new territory, now able to deftly recreate their complex compositions nightly.
After 15 years together they’ve attained hard-won virtuosity with the devices and can now concentrate on songwriting itself rather than logistics. “Almost nothing we do is improvised live,” says Dunn. “When we first started playing shows we’d sometimes run into trouble with the loops and have to stop mid-song and try again!”
El Ten Eleven released their sixth full length album Fast Forward in 2015, and will release their first-ever vocal collaboration EP titled Unusable Love featuring Emile Mosseri on August 18.Get Tickets
Saturday September 2nd | Doors at 8pm
Thee Oh Sees are the latest incarnation of songwriter, singer, guitarist (and Castle Face fearless leader) John Dwyer’s ever-evolving pop-folk psychedelic group. Dwyer, who hails from Providence, RI, has been active on the San Francisco indie scene since the late ’90s, working with several bands, including the Coachwhips, Pink & Brown, Yikes, Up Its Alive, and Swords & Sandals, among others, and he formed OCS (which is an acronym for Orinoka Crash Suite, Orange County Sound, or whatever Dwyer decided it was on any given day) initially as a vehicle for the experimental instrumentals he was producing in his home studio.
In time OCS morphed into an actual band, and worked under the usual flurry of names, most notably as the Oh Sees or the Ohsees, and eventually as Thee Oh Sees, featuring Dwyer on guitar and vocals, Brigid Dawson on vocals and tambourine, Petey Dammit (sometimes listed as Petey Dammit!) on guitar, and Mike Shoun on drums. Along with a relocation to Los Angeles in 2014 the band has re-spawned a few times into their current incarnation of Tim Hellman on bass, Dan Rincon and Paul Quattrone on drums.Get Tickets
Thursday August 31st | Doors at 8pm
plus very special guest Broncho
Via Costa Mesa and down into the belly of Echo Park, The Growlers are the party band that grew into a traveling circus of psychedelia that influenced Burger and Lolipop Records and even spawned their own festival, Beach Goth. It’s a zonked-out, uniquely Californian vision of bleached blond hair and drunkard culture that many bands have imitated but none have managed to reproduce. Lead singer Brooks Nielsen draws the kind of devotion among Growlers fans that Jim Morrison once did. And they’ve built their cult following without a single album review in Pitchfork.Get Tickets
Wednesday August 2nd | Doors at 8pm
w/ Phantom Lake
Tobin Sprout, former guitarist / songwriter of indie-rock icons Guided By Voices, has a new album (his first in 7 years), The Universe And Me (Burger Records), out on January 27. The Universe and Me takes a deliberately primitive approach that focuses on feeling, as opposed to production. The result is a vague bridge between the ballads of psych-era Beatles, and the haunting vulnerability of Daniel Johnston’s Hi, How Are You?.
Sprout penned and sang GBV classics including 14 Cheerleader Coldfront, It’s Like Soul Man, Awful Bliss, Ester’s Day, To Remake The Young Flier and Islands (She Talks In Rainbows). Burger Records will also be reissuing Sprout’s out-of-print 1990s Matador solo albums, Carnival Boy and Moonflower Plastic. In 2017, Sprout will be performing throughout the US with his 4-piece band.Get Tickets
Elf Power formed in 1994 and over the last 23 years have released thirteen albums, two eps, and a handful of singles, while touring North America, Europe, and Japan many times. Albums such as 1998’s Dave Fridmann-produced “A Dream In Sound” and 2008’s collaboration with the late Vic Chesnutt, “Dark Developments” have cemented the bands’ reputation as the finest purveyors of modern melodic psychedelic folk rock around. Their tour in support of their last album , 2013’s “Sunlight on the Moon” , took them on an extensive tour in support of Neutral Milk Hotel’s much acclaimed reunion tour, as well as dates with Broken Bells and headlining dates.
Their latest album “Twitching in Time” combines experimental arrangements and sublime songwriting with their powerful live bombast, into their strangest, most cohesive, and most exciting sounding album yet. Opening track “Halloween Out Walking” combines minimal and beautiful folk rock arrangements with otherworldy Moog synthesizer gurglings to awe-inspiring effect. Other highlights include “Watery Shreds”, a piano ballad that transforms itself into an explosive an unexpected distorted guitar drone freakout, sounding like an unlikely marriage of avant-garde keyboardist Laurie Anderson and drone metallers Sunn 0)) . Songs like the title track and “Cycling Aimlessly” are classic fuzzed out melodic rock songs the likes of which the band has become known for , while songs like “Gorging on the Feast” explore a jazzy, melancholy terrain before descending into a shredding heavy rock assault. The constant shifting of sounds and styles makes for one of the band’s most diverse and satisfying albums yet. On this album, singer/songwriter Andrew Rieger and longtime collaborator multi-instrumentalist Laura Carter are joined by Matthew Garrison on bass, Peter Alvanos on drums, and Davey Wrathgabar on guitar.
The album is released on May 12, 2017 on the band’s own Orange Twin Records, that has released almost 50 albums since 2001, including releases by Neutral Milk Hotel, Vic Chesnutt, Jeff Mangum, Jack Logan, Nana Grizol, Gerbils and many more.Orange Twin Records works in conjunction with The Orange Twin Conservation Community, 155 acres of beautiful land on the outskirts of Athens, GA that has initiated the development of a highly progressive, self-sustainable and ecologically-minded cluster village and nature preserve.
Thursday July 6th | Doors at 8pm
(Swamp81, DMZ, UK)
Loefah (real name Peter Livingston) is one of the pioneering founders of dubstep, releasing on one of the labels involved in the genre’s genesis DMZ. Loefah started off collaborating with the Digital Mystikz on the DMZ nights run in Brixton and was part of Mary Anne Hobbs’ Dubstep Warz radio show that contributed to breaking the genre to the mainstream. He was known for having a dark and minimal style that used powerful basslines and menacing vocal samples in order to create a sense of dread.Get Tickets
Saturday June 3rd | Doors at 8pm
w/ Graves At Sea / North / Jagged Mouth
Conan are as heavy as interplanetary thunder amplified through the roaring black hole anus of Azathoth. Remember that sentence, for it is writ large in virgin blood on the walls of the forgotten temple of Bol-Krastor, deep in the steaming forests of forgotten Lemuria. Conan, a monumentally brutal three piece (in the grand tradition of all the hallowed three pieces through time) hold a sinew-tight line and an iron-grip command over the uber-synchronised powerchord changes and tempo-shifts of the anti-holy trio of bass, drums and guitar. Two weary yet defiant men have the task of vocalising wretched thoughts over the turgid weight of Conan’s metalized bombast. They bear it well, for the task is immense.Get Tickets
Way back, in 2006, Conan formed as a two piece near the old port of Liverpool, and cut a now mythological demo (‘Battle In The Swamp’). The years dragged by, and fellow warriors came and went (we raise our tankards to their memory). Now they have crystallised into a final configuration – founding member Jon Davis still raging on guitar and vocals, but ably assisted by fellow acolytes of the absurd Chris Fielding on bass and vocals and the dexterous Rich Lewis on drums. Collectively their plans are clear: they seek nothing less than the crushing of a billion skulls.
They have committed their filthy, ocean-sized sound to wax (and the slightly less cool compact disc) several times thus far – with more fetid brooding output always on the reddening horizon. First came the hulking mass of a debut album (in 2010) that was ‘Horseback Battle Hammer’ (Throne, Aurora Borealis), followed by the now much sought after split with like-minded Northern Irish sludge-lords Slomatics (Head of Crom, Burning World) in 2011. In December 2011 Conan returned to the remote wilderness of Foel Studio, Wales, and into the capable hands of producer Chris Fielding (now their bassmaster) for the next album which was to released on Burning World Records in Spring 2012 – the mighty eardrum-warping ‘Monnos’. A triumphant recording of their live destruction of the 2012 Roadburn festival was released in 2013 as ‘Mount Wrath’. This was followed by a fearsome 12” split with Chicago doomfuckers Bongripper in 2013 (Holy Roar Records) and a new devil-deal with Napalm Records, resulting in the evil turgidity of third album proper ‘Blood Eagle’ in 2014. Many tours across the blasted wastelands of Europe and the old lands across the Oceans have resulted in a tight slaying unit that pauses for no weakling and decimates all who will not nod to their titan-riffing. Latest album ‘REVENGEANCE’ was RELEASED IN EARLY 2016 – A FOURTH ALBUM OF SUCH IMPLAUSIBLE WEIGHT THAT AZATHOTH ITSELF THREATENS TO IMPLODE IN A COSMIC SUPER-SHOWER OF BLACK DEATH-SHIT. Hear the roar of battle. Smell the stench of split blood. A thousand heads piled high like a grim mound of suffering – a blasphemy to nature. Hail Conan!
Saturday May 27th | Doors at 8pm
w/ Dylan Stevens and 1960sfe
Nicola Cruz’s music invokes the landscapes and rituals of his homeland, Ecuador, a country that is both home to the Andes mountains and the Amazon jungle. His music is an exploration of folkloric traditions and ancestral mythologies in a modern setting. Nicola was born in Limoges, France, to Ecuadorian parents. His upbringing was surrounded by a musical education rich in both indigenous traditions and occidental theories and from a young age he took to percussion.Get Tickets
From this musical connection between past and present, traditional and modern, an ongoing South American movement has arisen, exploring local indigenous and Afro-cosmologies through a carefully crafted analogue sound.
In 2012 Nicola collaborated with Nicolas Jaar’s now defunct label, Clown & Sunset. Prender el Alma, Nicola’s debut album, will be released later this year on ZZK Records.
Colibria is the feminine name in Spanish of a colibri, an artisanal instrument used in the recording of this song. The song speaks of primitive origins, water, survival, the basic elements that make up who we are. Huaira, the singer and eternal companion and collaborator of Nicola says “Colibria was born when I was living at the foothills of an active volcano where daily we watched it bleed, this track signifies an inward search and the journey of being reborn.” The track was recorded in an old warehouse in Quito, Ecuador with high ceilings that vibrated throughout the recording, giving the sound of water flowing throughout the song.