Thursday July 6th | Doors at 8pm
(Swamp81, DMZ, UK)
Loefah (real name Peter Livingston) is one of the pioneering founders of dubstep, releasing on one of the labels involved in the genre’s genesis DMZ. Loefah started off collaborating with the Digital Mystikz on the DMZ nights run in Brixton and was part of Mary Anne Hobbs’ Dubstep Warz radio show that contributed to breaking the genre to the mainstream. He was known for having a dark and minimal style that used powerful basslines and menacing vocal samples in order to create a sense of dread.Get Tickets
Saturday May 27th | Doors at 8pm
w/ Dylan Stevens and 1960sfe
Nicola Cruz’s music invokes the landscapes and rituals of his homeland, Ecuador, a country that is both home to the Andes mountains and the Amazon jungle. His music is an exploration of folkloric traditions and ancestral mythologies in a modern setting. Nicola was born in Limoges, France, to Ecuadorian parents. His upbringing was surrounded by a musical education rich in both indigenous traditions and occidental theories and from a young age he took to percussion.Get Tickets
From this musical connection between past and present, traditional and modern, an ongoing South American movement has arisen, exploring local indigenous and Afro-cosmologies through a carefully crafted analogue sound.
In 2012 Nicola collaborated with Nicolas Jaar’s now defunct label, Clown & Sunset. Prender el Alma, Nicola’s debut album, will be released later this year on ZZK Records.
Colibria is the feminine name in Spanish of a colibri, an artisanal instrument used in the recording of this song. The song speaks of primitive origins, water, survival, the basic elements that make up who we are. Huaira, the singer and eternal companion and collaborator of Nicola says “Colibria was born when I was living at the foothills of an active volcano where daily we watched it bleed, this track signifies an inward search and the journey of being reborn.” The track was recorded in an old warehouse in Quito, Ecuador with high ceilings that vibrated throughout the recording, giving the sound of water flowing throughout the song.
Friday February 17th | Doors at 8pm
w/ Mikey Fisher & Selektah Philos
Come follow we into the depths of underground bass music with the first annual BENEATH BABYLON.. This edition brings you AMIT(uk) credited with creating his own sub genre within bass music now known as “half step” or “half time” drum and bass, one of the most innovative styles to come from within underground bass music for the past decade.
AMIT is a UK based live Music Artist, Composer and Producer. He has released two critically acclaimed albums Neverending (2006) and 9 Times (2011) and over thirty slates of vinyl including ‘Killer Driller’, ‘Roots’ and ‘Acid Trip’.
AMIT has been hailed as one of the most distinctive and original voices within the electronic music industry. He is credited with creating a new and innovative sub genre within electronic music, influencing a generation of new music artists. He was the first music artist within Electronica to begin creating music at his signature ‘half-step’ at 174bpm. A whole range of fellow artists quickly followed suit but AMIT is widely acknowledged as having been the pioneer. His work has been placed in the top 5 ‘Best Single’ and ‘Best Producer’ categories on the BBC Radio listener polls.
His music is very much influenced by Dub and in particularly artists such as King Tubby and Lee ‘Scratch’ Perry. His music is also heavily influenced by Asian and Middle Eastern sounds, as well as Reggae, Dub, Electro, and Techno. AMIT has performed extensively at clubs and festivals across all continents.
In 2007 AMIT worked with legendary bass producer Bill Laswell on a project entitled ‘Inamorata’ that involved musicians across the globe including Iggy Pop, Mike Patton and Toshinori Kondo (released on the Sony Red label). AMIT has also composed music for several award winning film and theatre projects including Rent and Stain (London Film Festival official selection) and The Woods (Mill Valley Film Festival California Official Selection). AMIT has also supported bands such as Sonic Youth (State X Festival in Holland).
In 2009 while a participant in the Powerlab Scheme run by B3 Media in association with Film4 and the National Theatre, AMIT developed Electronic Orchestra, a ground breaking concept which saw AMIT musically ‘translate’ one of his tracks (with the help of Massive Attack’s Neil Davidge) entitled ‘MK Ultra’ from its previous existence as a piece of electronic music into a conventional score which can be played by an orchestra. ‘MK Ultra’ appeared on AMIT’s album ‘9 Times’ and is the first in a series of ‘translations’. ‘Electronic Orchestra’ is indicative of AMIT’s continuing desire to experiment with the boundaries of musical genres.
In April 2012, AMIT released an EP on EXIT Records including the widely acclaimed ‘Stay With Me’, ‘You Look Better Dead’, ‘Manic Minor’ and ‘Kritical’. The project saw AMIT reuniting with Irish/Indian vocalist RANI who previously featured on several tracks on ‘9 Times’. This fruitful collaborative relationship was further cemented by new releases for Metalheadz in October 2012 featuring ‘Killer Driller’ and ‘Colour Blind’ and for the pioneering electronic label Tempa, which featured ‘Acid Trip’ and ‘Don’t Forget Your Roots’ and were released in March 2013
AMIT (UK, AMAR, Tempa, Exit, Metalheadz, Ninja Tune)
Mikey Fisher (Denver)
Selektah Philos (Burque)
Live artists and vendors announced soon…
Brought to you by the likes of RudeBehavior
$5 before 11p
Wednesday November 23rd | 9pm
3 YEAR ANNIVERSARY!
Leftover Soul is a vinyl only soul night happening in Albuquerque! DJ Leftovers spins the best soul records he can get his hands on and you shake your booty in return. This thanksgiving eve, before you stuff your belly full o’ turkey get a big helping of soul!
SOUL TRAIN DANCE OFF AT MIDNIGHT WITH FANTASTIC SOUL PRIZES FOR THE WINNERS! (donated by Slolow Vinyl Records)
Special thanks to James Swagerty for designing the special poster for our 3 yr anniversary and to Slolow Vinyl Records for donating the sweet soul 45s as prizes for our dance competition.
Never a cover, always a good time (for 3 years!)