Live Music

Defheaven

Tuesday February 28th | Doors at 8pm
w/ This Will Destroy You & Emma Ruth Rundle

Deafheaven is a California-based act that has garnered acclaim for their signature hybrid sound of black metal, shoegaze, and post-rock. On October 2 the band will release their next album New Bermuda on ANTI-.

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fuychsw8lsj6ie7dzhj7George Clarke (vocals), Kerry McCoy (guitar), Dan Tracy (drums), Stephen Lee Clark (bass), and Shiv Mehra (guitar) recorded New Bermuda live to tape at 25th Street Recording in Oakland, CA and Atomic Garden Recording in East Palo Alto, CA in April 2015. It was produced, engineered, mixed, and mastered by Jack Shirley who has worked with the band on their previous releases. Clarke says that he came up with the idea of “New Bermuda” to describe a new destination in life, a nebulous point of arrival, and an unknown future where things get swallowed up and dragged into darkness. The album artwork for New Bermuda is an oil painting, dense in brush strokes of darker tones and deep blues, by Allison Schulnik. The layout was designed by art director Nick Steinhardt.

Formed in 2010 in San Francisco, California, the band has released two studio albums on Deathwish; Roads to Judah in 2011 and their lauded Sunbather in 2013. Sunbather received accolades from NPR on their Favorite Albums of 2013 list, a coveted Best New Music at Pitchfork, the Best Metal Album of 2013 per Rolling Stone, a 9/10 star review from Decibel Magazine, and it was the highest rated album of 2013 according to Metacritic. Deafheaven have spent the last two years touring extensively nationally and around the world with shows in Australia, Japan, Asia, Europe, Russia, the UK, and Canada with festival appearances at Pitchfork, Bonnaroo, Primavera, Roskilde, Fun Fun Fun, FYF Fest, SXSW, Basilica Sound Scape 14, Corona Capital, ATP Iceland, amongst others. Deafheaven will perform August 8 at Heavy Montreal in Canada. Details on a forthcoming North American tour are soon to be announced.

TV Heads

Thursday February 23rd | Doors at 8pm
w/ Lindy Vision, Tear Pressure, Eph Sharpe

The trio of Sean Galloway, Angelica Tavella, and Vince Gutierrez came together in Los Angeles after more than a decade in and around the Bay Area working on musical collaborations in various bands, on tour, over the Internet, teaching at youth music schools, and performing in drag musicals. The band has since added Los Angeles-based drummer Jessica Lankford, who joined them on the road for their recent West Coast tour supporting the release of “Total Fucker”.

In the making of “Total Fucker”, producer Jeff Saltzman (Department of Eagles, The Killers, Blondie), worked closely with the band to a achieve a balance between the sadistic twisting of oscillator knobs, overdriven vintage amplifiers, and plastic bagged microphones. The band finds it’s sound in the collective experiences of the trio; arching guitar lines, gritty synths, and raw drums and bass. Galloway and Tavella mix their distinctive voices together to create lush vocal harmonies that launch into wild choruses, a’la a Jeff Buckley and Annie Clark fronted Smashing Pumpkins.

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Beneath Babylon ft. Amit (UK)

Friday February 17th | Doors at 8pm
w/ Mikey Fisher & Selektah Philos

Come follow we into the depths of underground bass music with the first annual BENEATH BABYLON.. This edition brings you AMIT(uk) credited with creating his own sub genre within bass music now known as “half step” or “half time” drum and bass, one of the most innovative styles to come from within underground bass music for the past decade.

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Amit_WebPosterThumbAMIT is a UK based live Music Artist, Composer and Producer. He has released two critically acclaimed albums Neverending (2006) and 9 Times (2011) and over thirty slates of vinyl including ‘Killer Driller’, ‘Roots’ and ‘Acid Trip’.

AMIT has been hailed as one of the most distinctive and original voices within the electronic music industry. He is credited with creating a new and innovative sub genre within electronic music, influencing a generation of new music artists. He was the first music artist within Electronica to begin creating music at his signature ‘half-step’ at 174bpm. A whole range of fellow artists quickly followed suit but AMIT is widely acknowledged as having been the pioneer. His work has been placed in the top 5 ‘Best Single’ and ‘Best Producer’ categories on the BBC Radio listener polls.

His music is very much influenced by Dub and in particularly artists such as King Tubby and Lee ‘Scratch’ Perry. His music is also heavily influenced by Asian and Middle Eastern sounds, as well as Reggae, Dub, Electro, and Techno. AMIT has performed extensively at clubs and festivals across all continents.

In 2007 AMIT worked with legendary bass producer Bill Laswell on a project entitled ‘Inamorata’ that involved musicians across the globe including Iggy Pop, Mike Patton and Toshinori Kondo (released on the Sony Red label). AMIT has also composed music for several award winning film and theatre projects including Rent and Stain (London Film Festival official selection) and The Woods (Mill Valley Film Festival California Official Selection). AMIT has also supported bands such as Sonic Youth (State X Festival in Holland).

In 2009 while a participant in the Powerlab Scheme run by B3 Media in association with Film4 and the National Theatre, AMIT developed Electronic Orchestra, a ground breaking concept which saw AMIT musically ‘translate’ one of his tracks (with the help of Massive Attack’s Neil Davidge) entitled ‘MK Ultra’ from its previous existence as a piece of electronic music into a conventional score which can be played by an orchestra. ‘MK Ultra’ appeared on AMIT’s album ‘9 Times’ and is the first in a series of ‘translations’. ‘Electronic Orchestra’ is indicative of AMIT’s continuing desire to experiment with the boundaries of musical genres.

In April 2012, AMIT released an EP on EXIT Records including the widely acclaimed ‘Stay With Me’, ‘You Look Better Dead’, ‘Manic Minor’ and ‘Kritical’. The project saw AMIT reuniting with Irish/Indian vocalist RANI who previously featured on several tracks on ‘9 Times’. This fruitful collaborative relationship was further cemented by new releases for Metalheadz in October 2012 featuring ‘Killer Driller’ and ‘Colour Blind’ and for the pioneering electronic label Tempa, which featured ‘Acid Trip’ and ‘Don’t Forget Your Roots’ and were released in March 2013

Beneath Babylon..
featuring..
AMIT (UK, AMAR, Tempa, Exit, Metalheadz, Ninja Tune)
Mikey Fisher (Denver)
Selektah Philos (Burque)

Toasted/Hosted by..
Ptrick Uno

Live artists and vendors announced soon…

Brought to you by the likes of RudeBehavior
21+ only
$5 before 11p

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Wayne Hancock

Saturday Dec. 10th | Doors at 8pm
w/ Steve Hammond and His High Plains Grifters & Moonshine Blind

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“Wayne Hancock has more Hank Sr. in him than either I or Hank Williams Jr. He is the real deal.” – Hank III

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“Hancock, who tosses out a roots mix of old country, roadhouse blues, western dance swing, boogie bop, and straight-up rockabilly, takes what was once old and makes it seem like it’s always been and always will be.”—allmusic.com

“The country music scene could do with a lot more characters like Wayne, who push the music’s limits while staying truer to its roots than any well-known names associated with the genre today.” – Slug Magazine

Since his stunning debut, Thunderstorms and Neon Signs in 1995, Wayne “The Train” Hancock has been the undisputed king of Juke Joint Swing–that alchemist’s dream of honky-tonk, western swing, blues, Texas rockabilly and big band. Always an anomaly among his country music peers, Wayne’s uncompromising interpretation of the music he loves is in fact what defines him: steeped in traditional but never “retro;” bare bones but bone shaking; hardcore but with a swing. Like the comfortable crackle of a Wurlitzer 45 jukebox, Wayne is the embodiment of genuine, house rocking, hillbilly boogie.

Wayne makes music fit for any road houseanywhere. With his unmistakable voice, The Train’s reckless honky-tonk can move the dead. If you see him live (and he is ALWAYS touring), you’ll surely work up some sweat stains on that snazzy Rayon shirt you’re wearing. If you buy his records, you’ll be rolling up your carpets, spreading sawdust on the hardwood, and dancing until the downstairs neighbors are banging their brooms on the ceiling. Call him a throwback if you want, Wayne just wants to ENTERTAIN you, and what’s wrong with that?

Wayne’s disdain for the slick swill that passes for real deal country is well known. Like he’s fond of saying: “Man, I’m like a stab wound in the fabric of country music in Nashville. See that bloodstain slowly spreading? That’s me.”

Little known fact: Wayne is the only Bloodshot artist to have had their CD taken aboard a space shuttle flight.

“A rare breed of traditionalist, one who imbues his retro obsessions with such high energy and passions that his songs never feel like the museum pieces he’s trying desperately to preserve.” —AllMusic.com

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Leftover Soul

Wednesday November 23rd | 9pm
3 YEAR ANNIVERSARY!

Leftover Soul is a vinyl only soul night happening in Albuquerque! DJ Leftovers spins the best soul records he can get his hands on and you shake your booty in return. This thanksgiving eve, before you stuff your belly full o’ turkey get a big helping of soul!

SOUL TRAIN DANCE OFF AT MIDNIGHT WITH FANTASTIC SOUL PRIZES FOR THE WINNERS! (donated by Slolow Vinyl Records)

Special thanks to James Swagerty for designing the special poster for our 3 yr anniversary and to Slolow Vinyl Records for donating the sweet soul 45s as prizes for our dance competition.

Never a cover, always a good time (for 3 years!)

NOBUNNY

Wednesday November 9th | Doors at 7pm
w/ Get Action

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Always clad in a fuzzy (and mildly psychotic-looking) rabbit mask and often wearing little else, NOBUNNY is a one-man pop-punk onslaught whose simple, infectiously hooky tunes and lusty outlook have earned comparisons to the Ramones,Hasil Adkins, and the Cramps, and whose untamed (and sometimes bottomless) stage shows have led some to call him a cuddly version of G.G. Allin. NOBUNNY is the alter ego of Justin Champlin, who was born and raised in Tucson, Arizona, and relocated to San Francisco, California.Champlin first made a name for himself as the drummer with garage punks the Okmoniks and later co-founded the Sneaky Pinks, a two-man punk-pop party machine.

With NOBUNNY, Champlin streamlined the concept of the Sneaky Pinks by paring the consistent lineup down to just one person (or one mutant; as part of the NOBUNNY myth, Champlin claims to be the product of a liaison between a woman and a jackalope). Sometimes working solo and sometimes backed by a constantly shifting group of musicians, Champlinhas been performing as NOBUNNY since 2001, though it wasn’t until 2008 that he made his recorded debut with the album Love Visions. Primarily recorded at home with Champlin handling most of the instruments, Love Visions was released by the tiny Bubbledum Records label; it earned enthusiastic reviews in the underground music press and was reissued in 2009 by the somewhat larger 1-2-3-4 Go! Records. In 2009, NOBUNNY put out a single through Horizontal Action Records, “Give It to Me” b/w “Motorhead with Me,” and a cassette-only album, Raw Romance, on Burger Records.

NOBUNNY also kept up a busy touring schedule in the wake of Love Visions, telling reporter Eric Allen, “The road is good, because at least I know where my next meal is coming from. I find life much easier on tour. It’s not being on tour that is hard for me.” In September of 2010, NOBUNNY’s second full-length album, First Blood, was released by Goner. After a relatively quiet 2011 with no recordings released, NOBUNNY returned in 2012 with a single for Suicide Squeeze and an EP for Goner. He stuck with Goner for his third full-length blast of garage punk, 2013’s Secret Songs.


GET ACTION is like Radio Birdman and The Undertones having dinner at your mom’s house while The Who practices in the garage.

The King Khan & BBQ Show

Sunday November 6th | Doors at 8pm
w/ Paint Fumes

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screen-shot-2016-10-10-at-11-36-15-amThe King Khan & BBQ Show are two guys in a band, both writing, performing and singing: Arish ‘King’ Khan: guitar, vocals. His voice is the snotty one. His guitar is the lead one. Mark ‘BBQ’ Sultan: drums, guitar, vocals. His voice is the smooth one. His guitar is the rhythmic one. The drums are played live with his feet.

Bad News Boys is the band’s fourth studio album, their latest since 2009’s acclaimed Invisible Girl. The boys had previously broken up in 2010 after a taxing stretch, culminating in an invite by Lou Reed to play the Sydney Opera House. There was a public (internet) break-up and freak-out, which carried over into the week after in Asia. Words were said; brothers fought like brothers. It was the end of a stretch that had taken the band all over North America, playing festivals like Coachella, starting side projects like Almighty Defenders (with brothers Black Lips), touring the likes of Europe, Israel, Brazil, gaining legions of devoted fans internationally, and kickstarting that whole ‘doo-wop punk’ bullshit movement that still goes on today.

This is rock’n’roll. This is punk. This is early r&b. This is psych. This is doo-wop. This is garage. It’s all this and more, without trying to be anything.

A misconception of the band is that they play a bunch of instruments, which are then overdubbed to get a particular sound in the studio. The truth is that they record live. Their ‘studio’ is usually an apartment or – in the case of Bad News Boys – a basement, and they’re armed a 4-track cassette recorder and not much else. Their ethos is punk. Their mission is to revere rock’n’roll – the real stuff – enough, so that they are permitted to invoke its spirits and ghosts using magick, using their raw soul – for good or for bad – to evoke the smells and feelings that confuse and delight.

The King Khan & BBQ Show is a real band. Sure, their sense of humor is dirty, often surreal and potentially subversive, but the seriousness of their passion for real rock’n’roll should never be taken lightly. They live a lifestyle of pure love for the genre, respecting and understanding its basic tenets, living as lifers, representatives of tradition they feel is important. They cut their teeth together in The Spaceshits, a lightning fast rock’n’roll band formed in 1995 (dead by 1998) and have toured and paid their dues since, sacrificing their mind, bodies, souls, friends, family – all for love.

King Khan went on to underground hero status in many projects, shocking and impressing tastemakers in need of tangible image-icons, worldwide. Mark Sultan is heralded for his incredible voice and top-tier songwriting – rarities, today. Quite simply: they need one another, like yin and yang, to make it all happen. The band has managed to continue to release top-grade material for over ten years, without bowing to business or succumbing to what’s ‘hip’, without changing. They do what they want, take it or leave it. Love ‘em or hate ‘em, but never say they can’t write a great rock’n’roll song – and back it up with one of the best, most magickal, energetic, crass and nonsensical free-form live shows going.

They care so much that they don’t give a fuck.


PAINT FUMES drew first blood together in the year 2011, sharing a mutual love of garage scuzz and brain-chain reaction, and the connection was immediate and fierce. Sounds congealed via weekly seances at the Sewercide Mansion in Charlotte, NC and relentless touring which brought their unhinged reverberations to points all across the USA. Like the lovechild of Link Wray and Cheetah Chrome, raised by Lemmy on the streets of Venus, they sweated out the fever every night in ecstatic style. By the time Slovenly Recs got around to spitting out a couple classic 45s and their debut platter Uck Life, most true heads and even those way out of the know alike had gotten the message. Deep within a blitzkrieg of treble and feedback, there were real live tunes to sink your teeth into – the stuff that’s stuck in your head when you wake up in another dimension.

In the year of the horse, the ‘Fumes swelled in ranks with Ian Rose and Ben Carr of NC synthtopian punks Natural Causes, starting twelve thrash bands and surviving on nothing but hallucinations of vegetarian chimichangas. Together this crew ruined the beaches of Europe with Los Vigilantes, converted hundreds on the all-night diesel-powered festival circuit and in the midst of it all took a vacation down to Puerto Rico and committed to tape a new full-length entitled If it ain’t Paint Fumes it ain’t worth a huff!

Fred & Toody of Dead Moon

Thursday October 26th | Doors at 8pm

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screen-shot-2016-10-03-at-11-33-09-amClackamas, Oregon’s Dead Moon is truly one of the most independent and revered Northwest underground bands of all time. With Fred Cole on guitar and vocals, his wife Toody on bass and vocals, and the one & only Andrew Loomis on drums, Dead Moon churned out their own indescribable brand of rock & roll for nearly 20 years from 1987- 2006. During this period Dead Moon released 14 LPs & CDs and around ten 45rpm records on their DIY label Tombstone Records, and also on Music Maniac (Europe), Dog Meat (Australia), and Empty Records, Sub Pop & Sympathy for the Record Industry (USA), all the while also touring Europe, the USA & Canada, Australia and New Zealand.
Fred, a garage rock stalwart, formed Dead Moon with bassist Toody and drummer Loomis in 1987. In 1988, they released debut single “Parchment Farm,” the first of a string of home recordings on their Tombstone Records imprint. In 1990, Hans Kestaloo signed them to German label Music Maniac after being introduced by the Wipers’ Greg Sage. He also flew them over to tour Europe, where they found a significant fan base. Throughout the ’90s, Dead Moon were beloved staples of the Pacific Northwest music scene, releasing a flood of music on labels including Sub Pop, Tombstone, and eMpTy, as well as Music Maniac and Sympathy for the Record Industry. In 2006, the year they split, a documentary was released on the trio, Unknown Passage: The Dead Moon Story.

EPMD

Saturday July 26th | Doors at 8pm
Strictly Business 30 Year Anniversary
Raashan Ahmad of Crown City Rockers
DJ Ohm

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Hailing from Long Island, NY, EPMD’s first album, Strictly Business, appeared in 1988 and featured the underground hit “Strictly Business,” which sampled Eric Clapton’s version of Bob Marley’s “I Shot the Sheriff.” Many critics cite this first album as the group’s most influential. The group’s brand of funk-fueled sample-heavy hip-hop proved to be a major force in the genre. Unlike old school hip hop, which was originally based on disco hits but eventually became more electronic, EPMD based its music mainly on lifting funk and rock breaks for samples and helped to popularize their usage, along with Marley Marl and Public Enemy. “You’re a Customer” combined snippets of Steve Miller’s “Fly Like an Eagle,” Kool & the Gang’s “Jungle Boogie, the bass line from ZZ Top’s “Cheap Sunglasses” and drum beat (Roger Linn LM-2 machine). “Jane,” about a romantic rendezvous gone bad, would be revisited on no less than five sequels; a first for hip-hop, and, perhaps, rock and roll as well. “You Gots to Chill” used 1980s funk band Zapp’s “More Bounce to the Ounce,” which has become one of the most enduring sample sources for hip-hop. EPMD later appeared on the single “Everybody (Get Up)” by Zapp frontman Roger Troutman on his last solo album, Bridging The Gap, in 1991. “I’m Housin'” was covered some 12 years later by Rage Against the Machine. Managed early on by Russell Simmons’ RUSH Management, the group toured with such hip-hop luminaries as Run-DMC, Public Enemy, and DJ Jazzy Jeff & the Fresh Prince.

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