Saturday September 2nd | Doors at 8pm
Thee Oh Sees are the latest incarnation of songwriter, singer, guitarist (and Castle Face fearless leader) John Dwyer’s ever-evolving pop-folk psychedelic group. Dwyer, who hails from Providence, RI, has been active on the San Francisco indie scene since the late ’90s, working with several bands, including the Coachwhips, Pink & Brown, Yikes, Up Its Alive, and Swords & Sandals, among others, and he formed OCS (which is an acronym for Orinoka Crash Suite, Orange County Sound, or whatever Dwyer decided it was on any given day) initially as a vehicle for the experimental instrumentals he was producing in his home studio.
In time OCS morphed into an actual band, and worked under the usual flurry of names, most notably as the Oh Sees or the Ohsees, and eventually as Thee Oh Sees, featuring Dwyer on guitar and vocals, Brigid Dawson on vocals and tambourine, Petey Dammit (sometimes listed as Petey Dammit!) on guitar, and Mike Shoun on drums. Along with a relocation to Los Angeles in 2014 the band has re-spawned a few times into their current incarnation of Tim Hellman on bass, Dan Rincon and Paul Quattrone on drums.Get Tickets
Thursday August 31st | Doors at 8pm
plus very special guest Broncho
Via Costa Mesa and down into the belly of Echo Park, The Growlers are the party band that grew into a traveling circus of psychedelia that influenced Burger and Lolipop Records and even spawned their own festival, Beach Goth. It’s a zonked-out, uniquely Californian vision of bleached blond hair and drunkard culture that many bands have imitated but none have managed to reproduce. Lead singer Brooks Nielsen draws the kind of devotion among Growlers fans that Jim Morrison once did. And they’ve built their cult following without a single album review in Pitchfork.Get Tickets
Sunday August 20th | Doors at 8pm
w/ Youngblood / Supercult / Red Mesa
Philly heavy psych quintet Ruby The Hatchet is touring in support of their new album, Planetary Space Child, out August 25, 2017 via Tee Pee Records.
The bewitching rock troop featuring vocalist Jillian Taylor, guitarist Johnny Scarps, bassist Lake Muir, drummer Owen Stewart and organist Sean Hur, recorded this album in an 1800’s era estate deep in the Pennsylvania woods with engineers Joe Boldizar (Retro City Studios) and Zach Goldstein (Kawari Sound).Get Tickets
Thursday August 10th | Doors at 8pm
w/ Phantom Lake
Negative Approach is an American hardcore punk band, formed in Detroit, Michigan in 1981. The band is considered among the pioneers of hardcore punk, particularly in the Midwest region. Like most hardcore bands, Negative Approach was little known in its day outside of its hometown. It is now idolized in the Detroit rock underground and the punk subculture, considered to be one of the elite bands of the “old school” era, and continues to be influential.Get Tickets
Wednesday August 2nd | Doors at 8pm
w/ Phantom Lake
Tobin Sprout, former guitarist / songwriter of indie-rock icons Guided By Voices, has a new album (his first in 7 years), The Universe And Me (Burger Records), out on January 27. The Universe and Me takes a deliberately primitive approach that focuses on feeling, as opposed to production. The result is a vague bridge between the ballads of psych-era Beatles, and the haunting vulnerability of Daniel Johnston’s Hi, How Are You?.
Sprout penned and sang GBV classics including 14 Cheerleader Coldfront, It’s Like Soul Man, Awful Bliss, Ester’s Day, To Remake The Young Flier and Islands (She Talks In Rainbows). Burger Records will also be reissuing Sprout’s out-of-print 1990s Matador solo albums, Carnival Boy and Moonflower Plastic. In 2017, Sprout will be performing throughout the US with his 4-piece band.Get Tickets
Elf Power formed in 1994 and over the last 23 years have released thirteen albums, two eps, and a handful of singles, while touring North America, Europe, and Japan many times. Albums such as 1998’s Dave Fridmann-produced “A Dream In Sound” and 2008’s collaboration with the late Vic Chesnutt, “Dark Developments” have cemented the bands’ reputation as the finest purveyors of modern melodic psychedelic folk rock around. Their tour in support of their last album , 2013’s “Sunlight on the Moon” , took them on an extensive tour in support of Neutral Milk Hotel’s much acclaimed reunion tour, as well as dates with Broken Bells and headlining dates.
Their latest album “Twitching in Time” combines experimental arrangements and sublime songwriting with their powerful live bombast, into their strangest, most cohesive, and most exciting sounding album yet. Opening track “Halloween Out Walking” combines minimal and beautiful folk rock arrangements with otherworldy Moog synthesizer gurglings to awe-inspiring effect. Other highlights include “Watery Shreds”, a piano ballad that transforms itself into an explosive an unexpected distorted guitar drone freakout, sounding like an unlikely marriage of avant-garde keyboardist Laurie Anderson and drone metallers Sunn 0)) . Songs like the title track and “Cycling Aimlessly” are classic fuzzed out melodic rock songs the likes of which the band has become known for , while songs like “Gorging on the Feast” explore a jazzy, melancholy terrain before descending into a shredding heavy rock assault. The constant shifting of sounds and styles makes for one of the band’s most diverse and satisfying albums yet. On this album, singer/songwriter Andrew Rieger and longtime collaborator multi-instrumentalist Laura Carter are joined by Matthew Garrison on bass, Peter Alvanos on drums, and Davey Wrathgabar on guitar.
The album is released on May 12, 2017 on the band’s own Orange Twin Records, that has released almost 50 albums since 2001, including releases by Neutral Milk Hotel, Vic Chesnutt, Jeff Mangum, Jack Logan, Nana Grizol, Gerbils and many more.Orange Twin Records works in conjunction with The Orange Twin Conservation Community, 155 acres of beautiful land on the outskirts of Athens, GA that has initiated the development of a highly progressive, self-sustainable and ecologically-minded cluster village and nature preserve.
Monday July 17th | Doors at 8pm
with Heather Trost / James Whiton
Having spent five years as the touring percussionist for Swans, Thor Harris has launched a new, very different project called Thor & Friends. Heavily influenced by minimalist composers, the rhythmic instrumental songs are built around such instruments as marimba and xylophone. Other instruments and sounds come into play, often bringing an experimental edge to the music, but the compositions are never allowed to get too cluttered. The result is a catchy, whimsical sound that would appeal equally to those seeking out avant-garde music and those who are afraid of it. Thor & Friends recently released a self-titled debut album and are currently out on tour.Get Tickets
Stream the album on Stereogum:
Thursday July 6th | Doors at 8pm
(Swamp81, DMZ, UK)
Loefah (real name Peter Livingston) is one of the pioneering founders of dubstep, releasing on one of the labels involved in the genre’s genesis DMZ. Loefah started off collaborating with the Digital Mystikz on the DMZ nights run in Brixton and was part of Mary Anne Hobbs’ Dubstep Warz radio show that contributed to breaking the genre to the mainstream. He was known for having a dark and minimal style that used powerful basslines and menacing vocal samples in order to create a sense of dread.Get Tickets
Sunday June 25th | Doors at 8pm
with Sleepdepth / DJ Cassyle
Quintron is an American musician and leader of the eponymous one-man-band, “Quintron”. He is a celebrated nightclub organist and inventor, who has patented a number of his own inventions and often performs at his own private club, the Spellcaster Lodge in New Orleans. He frequently performs with his wife, musician and puppeteer Panacea Pussycat (also known as Miss Pussycat), co-founder of the 9th Ward’s defunct Pussycat Caverns. Quintron’s most notable invention to date is the Drum Buddy, a mechanically-rotating, five-oscillator, light-activated drum machine.Get Tickets
Monday June 12rd | Doors at 8pm
w/ B Boys / Nuzzzle
Merchandise have announced details of their new album, A Corpse Wired For Sound, due for release on September 23rd, alongside the video for a second new track, ‘End Of The Week’. Formed nearly a decade ago, galvanized by Tampa hardcore and inspired by its miscreant noise, A Corpse Wired For Sound signals a new chapter for Merchandise.Get Tickets
Following 2014’s After The End — a full-band effort recorded in a closet — the band stripped back to its core of Carson Cox (vocals, electronics), Dave Vassalotti (guitar, electronics) and Pat Brady (bass). The trio travelled to Rosà, Italy for their first ever sessions in a recording studio, La Distilleria, with a local, Maurizio Baggio. The nine-song nocturnal A Corpse Wired For Sound was recorded half in the studio and half at home, in Tampa as well as Cox’s newly adopted bases of New York and Berlin – the culmination of a long-distance collaboration between Cox and Vassalotti.
The album’s metallic title is inspired by a science fiction short story by JG Ballard, but equally sums up the band’s current state of mind. “We were ‘reborn’ as a rock band for After The End,” says Vassalotti, “and then we straight-up died again. It couldn’t last. The result is this distended corpse responding to you from
both sides of the Atlantic, forever singing in spite of everything.” Cox continues further “It’s about the truth of growing up. You can’t take your friends or lovers with you. It’s about finding peace with that loneliness.”
The second song to be aired from A Corpse Wired For Sound, ‘End Of The Week’ is “really about personal reflection and horror,” says Cox, who is responsible for the song’s visuals (he also created the video for lead single ‘Flower Of Sex’). The video is a subliminal homage to Italian film director Michelangelo Antonioni and his motion pictures Blow Up and Zabriskie Point. “The smashed mirror isn’t just a symbol of death,” Cox continues. “It’s the broken image of humanity reflecting back at everyone when they read the news. Reality is an unbearable pill to swallow this year. Somehow the evil people that make up society can still wake up everyday and look at themselves in the mirror.”